What is it that the seen is hiding, and what blindspots are created, intentionally or otherwise, by the conventions of the visual? Are visual blindspots related to emotional ones? What is it that we distract ourselves from seeing? The saturated visibility and sharpness of the conventional visual is distracting us from the validity of our subjective inner eye. Thus, our encounter with photographs both seen and unseen set the scope and framework of this immersive piece, where physical, conventional blindness serves as a leading metaphor hinting towards a proposition for a deeper sense of seeing. This encounter captures an intuition.
